Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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unknow artist
Hercules and the Nemean Lion, oil on panel painting attributed to Jacopo Torni

ID: 77892

unknow artist Hercules and the Nemean Lion, oil on panel painting attributed to Jacopo Torni
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unknow artist Hercules and the Nemean Lion, oil on panel painting attributed to Jacopo Torni


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unknow artist

  Related Paintings of unknow artist :. | Portrait of Maria Theresa of Austria-Teschen Queen of the Two Sicilies | Charles I | Duck and Pigeon | Classical hunting fox, Equestrian and Beautiful Horses, 229. | Icon of St Theodore Stratilates and St Theodore Tyron |
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johnwilliam waterhouse,R.A.
English Pre-Raphaelite Painter, 1849-1917
CECCO DEL CARAVAGGIO
Italian Baroque Era Painter, active ca.1610-1620 Painter active in Italy. His nationality is not known. He was a follower of Caravaggio, and his rare works reveal a highly original and idiosyncratic response to that artist's naturalism. Agostino Tassi mentioned him as involved, with several French artists, in the decoration of the Villa Lante at Bagnaia between 1613 and 1615,
Conrad Witz
1400-1446 German (Resident in Switzerland) Conrad Witz Gallery -6). German painter. One of the great innovators in northern European painting, he turned away from the lyricism of the preceding generation of German painters. His sturdy, monumental figures give a strong impression of their physical presence, gestures are dignified and the colours strong and simple. Even scenes with several figures are strangely undramatic and static. The surface appearance of materials, especially metals and stone, is intensely observed and recorded with an almost naive precision. Powerful cast shadows help to define the spatial relationships between objects. His fresh approach to the natural world reflects that of the Netherlandish painters: the Master of Fl?malle and the van Eycks. He need not, however, have trained in the Netherlands or in Burgundy as knowledge of their style could have been gained in Basle. He remained, however, untouched by the anecdotal quality present in their art, while Witz pure tempera technique differs emphatically from the refined use of oil glazes that endows Netherlandish pictures with their jewel-like brilliance.






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